Individual TT cables can be pricey, so unless you’ve got a rack full of high-end outboard, this patchbay type is probably overkill for a home studio. These are the standard connections found on pro quality studio patchbays. TT/Bantam-Bantam or tiny telephone cables are a compact format that allow a single patchbay to house up to 96 individual connection points. Avoid it altogether by using an XLR patchbay or skipping the patchbay for your mics. The 48v phantom power that’s required to run some microphone types can cause dangerous side effects when ¼” cables are accidentally removed. Hot tip: While it may sound tempting, running different microphones on an ¼” patch bay before they reach your mic preamp isn’t recommended. TRS cables can carry the balanced line level signals that come from the output of mic preamps, outboard gear or hardware like synths, samplers and drum machines. ¼” TRS-1/4″ TRS patch bays are the type most commonly seen in home studios. These bays are typically used to move single XLR connections to a more convenient location for direct patching. XLR-XLR patch bays are often simple, single point systems with a front panel female input connected directly to a male rear panel output. Here’s an overview of the most common patchbay types and connections. ![]() You’ll need to patch these to the I/O on each piece of equipment, so matching connector types is important. The rear panel connections are where the patchbay interfaces with the rest of your gear. The cable type used here will determine which type of patch cables you’ll use to make connections. The front panel connections are where you route signals with patch cords and connect additional inputs. Patchbays come in several formats to address the different types of connectors and signals in your rig. You feel like you’re wasting time or energy patching cables manually.You have gear that gets connected in different ways for each session.Your home studio is permanently set up and doesn’t often change.The efficiency, flexibility and organization they offer is why most pro studios are built around a robust system of patchbays. However, patchbays can definitely save you time and effort during set up and tear down. Many studios function perfectly well without a patchbay, and the extra cost associated with them can be off-putting for some producers. You’ll have to decide on your own if using a patchbay fits into your workflow. Should I use a patchbay?Įvery home studio is unique. Patchbays allow you to change routings on the fly by simply re-patching the cables on the front panel. It lets you easily make connections between equipment without pulling your whole setup apart to access difficult-to-reach jacks. What is a patchbay?Ī patchbay is a piece of gear that houses all the input and output connections for the essential gear in your studio. I can't imagine ever going without it again.Our powerful, AI-driven mastering engine listens to your song and delivers pristine, studio-quality music that’s ready for release. ![]() Still, you're getting a reliable device built to work, and built to last. competitor patchbays that actually allow you to change the routing directly from the front panel are very, very out of my pricerange, but this guys fits the bill perfectly, albeit still is a little more than I would have liked to pay. ![]() My only gripe would be the price, something that all patch bays unfortunately are affected by. ![]() There is a successor by Edirol, the U-880, which I believe is identical except it has flash memory (this A-880 needs a battery for memory functions) and an additional USB port for computer use. The A880 has an internal memory allowing you to write different configurations into a bank that can be recalled with program changes over MIDI, this is extremely appreciated in a setup where I'm using everything but want to focus only on specific instruments at a time. This meets that with outstanding results. I needed a patchbay that could be entirely controlled and redirected without a computer.
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